Caricatures
are a fun alternative to traditional portraits. The idea is to
comically exaggerate particular features to create a humorous
representation of that person. Adobe Photoshop's transform, warp, and
liquify features are perfect for creating caricatures from a
photographic portrait. This tutorial is part of a larger set of
instructions found in the Tuts+ course, Fluid Photo Manipulation: Transform, Warp, and Liquify.
The head/neck layer should fit nicely inside the neckline of the shirt
Keep the selection large and rough when creating the chin layer—we will make it blend in nicely later.
Keep the mouth layer selection outside the lip area so there's room to blend it in later.
Likewise, keep the selection around the nose rough, with plenty of room to spare.
Keep the selection around the glasses nice and tight, and include the eyes.
Keep the selection tight around the outside contour of the ear, but give yourself room to work with on the inner side.
Masking the chin is the most challenging, as you have to work around the hairs of the beard. Just use a smaller sized brush and work carefully. Here's a shot of the chin layer next to the mask layer used to blend it.
Apply the Liquify effect and your caricature should look something like this.
Tutorial Assets
This tutorial requires two files. Both are available through the Download Attachment link found with this tutorial. The files you will need are:- A portrait photo. Feel free to use one of your own, or use the same one I used.
- A textured background. I created this one using the Adobe Texture Paper Pro extension.
1. Basic Photo Preparation
The essential technique for creating a caricature is to find elements that are already naturally pronounced, and exaggerate them to a comical degree. In our starter photo here, the young man's jaw line is rather large, and his smile is very prominent. The horn-rimmed glasses are noticeable and the hairline looks like it's beginning to recede. These are all aspects of his portrait we can have fun with.Step 1
The solid white background of the portrait makes it easy to extract the figure from the background. Use the selection technique of your choice—I used the Quick Selection Tool (W) to craft the selection—and then go to Layer > New > Layer Via Copy (Control-J) to create a cutout layer of the man.Step 2
It's much easier to work with particular features if they are isolated. So use the same technique to cut out the following individual elements. The body and clothing layer should follow the neckline of his shirt.The head/neck layer should fit nicely inside the neckline of the shirt
Keep the selection large and rough when creating the chin layer—we will make it blend in nicely later.
Keep the mouth layer selection outside the lip area so there's room to blend it in later.
Likewise, keep the selection around the nose rough, with plenty of room to spare.
Keep the selection around the glasses nice and tight, and include the eyes.
Keep the selection tight around the outside contour of the ear, but give yourself room to work with on the inner side.
Step 3
Just to keep things as flexible as possible, lets transform each layer into a Smart Object. Grab each layer individually and go to Layer > Smart Objects > Convert to Smart Object.2. Transform and Warp
Now that the different features are all on their own layer, we can begin transforming them into an exaggerated caricature. Use the flexibility of the Smart Objects to work with different size combinations to get a humorous effect.Step 1
A common caricature technique is to make the head extremely large in proportion to the body. To accomplish this, shrink the body layer down significantly with Edit > Free Transform.Step 2
Use Edit > Transform > Warp to begin shaping the head layer. Fit the neck into the neckline of the shirt and inflate the top of the head. The goal of this step is just to establish the basic shape of the head, and that serves as a foundation for the other layers to build on.Step 3
Distort the chin layer to elongate it and sharpen it slightly. Try to keep the top aligned so the seams are not overly visible.Step 4
Make that big grin even larger by stretching out the mouth layer.Step 5
Caricatures frequently make noses extremely large and exaggerated. Big noses just look funny! Expand the nose layer to comical proportions—even if it overlaps the mouth, it's OK.Step 6
The glasses layer requires more attention than the simple scaling we used with the other features. The Edit > Transform > Warp tool can be used to help fit the expanded frames onto his face.Step 7
All the distortion has nearly eliminated the ear on the base head layer. Good thing we have an ear layer to scale up so that it can support the heft of those glasses!Step 8
Now add a Layer Mask to each layer and use a soft brush with black paint to blend the individual elements into a cohesive whole.Masking the chin is the most challenging, as you have to work around the hairs of the beard. Just use a smaller sized brush and work carefully. Here's a shot of the chin layer next to the mask layer used to blend it.
Step 9
Add a new layer above all the cutout layers and use the Spot Healing Brush (J) set to Sample All Layers to paint over any obvious seams or trouble areas that escaped the masking process.3. Fluid Faces
Next up is the true power behind the caricature process. It's the infamous Liquify feature. We've already done much of the warp work with the different transformations, but it's the Liquify feature that is really going to create a fluid, funny, exaggerated appearance. The Liquify tools are powerful and can be unpredictable, but fortunately the feature supports Smart Filtering, so there's no worries!Step 1
Select all of the cutout layers and the seam cover layer and merge them into a single Smart Object with Layer > Smart Object > Convert to Smart Object.Step 2
Go to Filter > Liquify. When the dialogue box comes up, check the Advanced Mode to reveal additional controls.Step 3
Use the Forward Warp Tool with a brush size around 200 to increase the size of his forehead. Gently push the skin area up towards the hairline.Step 4
Use the Bloat Tool to click a few times on the tip of his nose to make it look more bulbous.Step 5
Use the Freeze Mask Tool to highlight the frames of the glasses. This will prevent the frames from distorting while we work with the eyes.Step 6
Use the Forward Warp Tool again to exaggerate the shape of the temple area, and the Bloat Tool to create a slightly larger shape to the eyes—just be sure to reduce the size of the brush to be similar in size to the eyeballs. When finished, click the None button in the Mask Options to unfreeze the masked area.Step 7
Extend the chin a bit more using the Forward Warp Tool and create a more rounded, bulbous end with the Bloat Tool.Step 8
Finally, make his smile even bigger by using the Forward Warp Tool to push the corners of his mouth up into the folds on his cheeks. Just be careful not to warp the shape of the teeth.Apply the Liquify effect and your caricature should look something like this.