In earlier tutorials we looked for macro inspiration around the house and around the garden.
Carrying on with the series, we'll now start to look at making macro
photos that you construct. This tutorial, using oil and water, is a fun
way to try some new macro photography with a fairly quick set up and
immediate results.
What You’ll Need
To complete this tutorial you will need:
a clear glass tumbler,
some cooking oil,
washing-up liquid,
a dropper or syringe,
and some rainbow paper
What you'll need to complete this tutorial
I didn’t have any rainbow paper so I improvised with
coloured post-it notes stuck to a sheet of A4. You could always print one off from your computer too.
Rainbow paper, or 'post-it' notes in this case
You only need a surface area the size of the bottom of your
glass tumbler. Don’t worry about marks or joins as you won’t see them in the
final image.
Oil and Water Method
First, choose somewhere nice and bright for your set up, or use
artificial lighting. A window can provide nice light for this technique.
Fill your tumbler half full with water and add a drop of
washing-up liquid. Place it on top of your rainbow paper and leave it to settle
or give it a gentle stir with a teaspoon until the water is clear and still and
free from bubbles.
Next, take your dropper and suck up some of your cooking
oil.
This next part depends how quick you are. Drop the oil one
drop at a time into the water. You need to be quite fast to get your shot as
the drops will eventually start to spread out and not look so good:
If you aren't quick, the bubbles of oil will start to group together and look unpleasant
I found it was easier for me to hold the camera in my right
hand and use the dropper with my left, capturing the resulting drops
immediately. Photographing hand-held, rather than on a tripod, will let you recompose quickly as you go. Try shooting in A (Aperture) Mode on your camera to get
a greater depth of field, but choose an intermediate f/stop to retain the blur
of the background. Depending on your setup you may need to choose a higher ISO speed to give you a fast-enough shutter duration.
The Results
Our finished oil and water shot
Once taken, boost the colours a little in post-processing with a contrast curve and saturation,
clean up any little distractions with the spot-healing tool and voilĂ , a
colourful bubble macro picture.
This technique works well with brightly coloured paper, but do try experimenting with different backgrounds
under the glass. I’d love to see what you make!
There’s a
huge craze for adding textures to macro and still life photographs.
Whilst there are a wealth of resources online, it’s always nice to
create something yourself and get it ‘in shot’ so that you’re not having
to add it in post-processing. With a little creativity you can create
something quite nice for very little outlay. Here I’ll outline some of
the cheapest and easiest and show you their results.
Glitter
Glitter, when
out of focus, makes for great bokeh. This one is dead-simple to do:
just sprinkle some glitter in the background of your set-up! When
you focus on the item in the foreground you’ll get beautifully soft,
diffuse, and sparkly highlights from the glitter. Glitter makes wonderful bokeh and adds interest to any photo [photo: Marie Gardiner]The
base in this photo was some shiny corrugated card which helped
reflect the glitter and light, creating a pleasing gradient of red to
white. Lights have the same effect, so if you’re doing fairly close
up stuff, try a string of fairy lights in the background, it works
wonders.
Wallpaper
You don’t have to buy rolls of wallpaper to do this. Go into
a wallpaper shop, find a few designs that you like and ask for samples. They
should cut you off a square of a decent size which is perfect for macro and
smaller still life shots. Wallpaper samples are given freely in most storesThe possibilities are
endless with this. There are endless patterns and colours of wallpaper available. It doesn’t have to be wallpaper either, wrapping
paper also makes a suitable background and is available in much larger quantities for a smaller price.
Stick your paper to the wall using White-Tac (this tends to
cause less marking and damage than Blu-Tac), as below. Set up your shot by sticking the wallpaper to a wallPlain colours are great for adding tone to a picture and
taking away any distracting marks that might be on walls. Here you can see the result using a plain, textured piece of wallpaper [photo: Marie Gardiner]Patterned designs can really add to an image, especially if
it’s otherwise lacking colour. The background here helps bring interest to the image and it's stark whites [photo: Marie Gardiner]
Small Textures, Big Effects
Looking
for interesting textured surfaces to use for still life photos is a lot
of fun. It’s surprising how many people pass up a funky textured
background just because it looks dirty or grungy! When lookinf for found
backgrounds, don't overlook the worn and weathered. Grunge can be
a great look, especially if you contrast it with something quite
sweet. The key with a textured background is to use the character of the
background to emphasize qualities in the object you are photographing.
Walls
All
kinds of found surfaces can make for a great, grungy textured
background. Use outside walls of your home for rough brick and stone
textures. Try sheds and outbuildings for a wooden look. For an indoor
solution, try an old wooden table on its side.
Hessian Bag
This
one was a great find for me. I was looking for a
background to suit a ‘bakery’ theme still life I wanted to do but
couldn’t find
anything suitable. I noticed a hessian shopping bag in one of our
cupboards and
a little light bulb appeared above my head! I cut it so the front and
bottom
were one long strip and it meant I could use it as a ‘floor’ and
background for
my scene. These bags are affordable to pick up from the supermarket and
you can use
them again and again. Depending on where you are, bags like this might
be made of jute, hemp, or another rough and fibrous material. This Hessian shopping bag was perfect for adding muted colour and texture to my idea [photo: Marie Gardiner]The texture and colour fitted my theme perfectly and as you
can see, I used a real slice of bread, too. You really can create a background
from anything!
Backgrounds, Backgrounds, Everywhere
There are so many inexpensive ways to make really creative
backgrounds. Freebies are great so don’t be afraid to ask for samples of things
to use; bargain remnant boxes in craft shops and haberdashery stores are good
to rummage in too. Glitter and fairy lights make great bokeh but so does dewy
grass or cobwebs and those things are free. Some backgrounds take a little more
patience to find and get right, but reap great rewards. Use items you already have, and don’t discount
walls, tables, books or even food; although if you’re going to throw it around,
I’d think twice about eating it afterwards!
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